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작성자 Kristophe… 작성일24-01-10 19:30 조회36회 댓글0건

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FORT Worth - Crescendo Cinema III, Inc. and Cinema III Marketing not too long ago acquired 4 new footage for distribution: "Good to See You Again, Alice Cooper," "Lucky Johnny, "Julia" and "When the road Goes Through."

Perry Tong of Crescendo and Herb Margolis of Penthouse Productions in Los Ángeles concluded agreements on the rock cabaret "Good to See You Again, theprimefans.com Alice Cooper," starring Alice Cooper. The movie contains several film clips of such all-time favorites as W.C. Fields, Betty Boop, Our Gang and even clips from the Watergate hearings "starring" Sen. Sam Irvin....

Cinema III’s John Parker said all calls ought to be directed to the company’s new metro line, (817) 29-3762. On the west coast call Jock Gaynor, Wargay Corp., Los Angeles, at (213) 276-3945. It additionally was introduced that Ben Taylor has joined Cinema III as assistant to Parker and Crescendo now has its personal artwork department for promoting. Hilton Snowdon and Gary Myrick are full time employees members of that division.

Boxoffice, 27 October 1975: Crescendo Cinema III, The Forth Worth-primarily based movie company, has branched out into distributing in addition to producing films. Producer-director Perry Tong is dampening his ft with "Good to See You Again, Alice Cooper." The film is being distributed within the Forth Worth and Oklahoma City areas.

LA CITTÀ DELLE DONNE (1979) maybe doesn’t really rely. The opening credits checklist this as a Franco Rossellini Production for Felix Cinematografica. Guccione had contracted to fund this movie, though beneath the Viva imprimatur, not underneath the Penthouse identify. He seems to have raised money for not less than some of the preproduction, but then withdrew simply because the cameras have been able to roll. Franco Rossellini’s cousin, Renzo, came to the rescue and had his company Opera Film coproduce it and his company Gaumont Italia launch it. Nonetheless, Guccione acquired a credit in the original release prints, which was almost immediately thereafter deleted. Franco’s credit score remains, despite the fact that he had nothing to do with the manufacturing proper. I believe I know why his name remained, although I can’t make sure because the paperwork all appears to be missing. If you possibly can fill me in, I’m all ears.

As you check across the reference sources, you will notice a number of different films and Tv applications that have been presented by Penthouse Productions or Penthouse Presentations or Penthouse One Presentations, but they'd nothing to do with Guccione. That was a distinct Penthouse, which predated Guccione’s use of the Penthouse trademark, and it has triggered much confusion. The non-Guccione Penthouse productions that I find out about are The key Night Caller (1975), The Shari Show (1975/1976), Secrets of Three Hungry Wives (1978), The nice Cash Giveaway Getaway (aka The Magnificent Hustle) (1978-1980), The secret War of Jackie’s Girls (1980), and Dial 911 (aka The two Lives of Carol Letner, 1981). I spent several days of my life attempting to track down information on these productions, and so I hate to delete my analysis, especially since somebody would possibly find it useful. So if you wish to know about this different Penthouse, click on right here.

After these attempts to interrupt into the market, the Penthouse managers briefly halted actions and they retired Penthouse Films International Ltd altogether. Just a few years later the sands shifted. The executives determined to begin up again with a recycled identify, Penthouse Productions, and they further established Penthouse Home Video, and collectively these two entities unleashed a number of movies for the house market. The titles published at IMDb - Penthouse, IMDb - Penthouse Productions [us], IMDb - Penthouse Home Video, IMDb - Penthouse Video, and IMDb - Bob Guccione don’t look too promising: Penthouse Love Stories (1986), Penthouse: Fast Cars Fantasy Women (1991), Desire (1991), Penthouse: Ready to Ride (1992), Virtual Photo Shoot: Volume One (1993), Tonya and Jeff’s Wedding Night (September 1994 - you know, those who tried to break Nancy Kerrigan’s knee on 6 January 1994 so that Tonya would win the championship; well, they then bought this tape to Penthouse), Secret Lives (1994), Penthouse: Twenty fifth Anniversary Swimsuit Video (1994), Penthouse: 25th Anniversary Pet of the Year Spectacular (1994), Kama Sutra: The Art of making Love (1994), Kama Sutra II: The Art of making Love (1995), Penthouse: Pet Rocks (1995), Penthouse: The Wild Weekend with the Pets (1996), Penthouse: The Art of Massage (1996), Penthouse: Showgirls of Penthouse (1996), Penthouse Pet of the Year Play-Off 1996, Miami Hot Talk (1996), Sex Off the Runway (1996), Lipstick Girls (1997), Penthouse: Confessions (1997), Venus Descending (1997), Love Games (1998), ESP: Extra Sexual Perception (1998), Penthouse Girls of the Zodiac (1999), Penthouse Pet of the Year Play-Off 2001 (2000), Call Girl (2000), Fashion (2000), Penthouse: Harlots of Hell (2000), Dangerous Things (2000), Dangerous Things 2 (2000), Sex Opera (2000), Amy and Julie (2000), and Penthouse: Pets in Paradise (2001). I have not seen, and shall not see, any of those movies. The titles tell me greater than I need to know. Nonetheless I am curious about the enterprise aspect. What studios have been used? What were the costs? Who provided the funding? What was the advertising/release strategy? How effectively did these movies do? So for those who worked on any of those videos, I can be more than pleased to hear from you!

After Penthouse’s bankruptcy, purchase, and reorganization in 2003-2004, the new regime determined to continue and accelerate the Penthouse Productions activities. You may see the end result in the lists published at IMDb - Penthouse and at IMDb - Penthouse Home Video [us]. I have not seen any of those later films, and, judging from their freakish titles, I would not prefer to.

So now you understand a very small part of Penthouse’s secret history, the history that the previous regime at Penthouse never needed you to find out about. Now that I’ve advised you about those secrets, why don’t a few of you tell me about the hotel/convention-heart/residential mission planned for Atlanta, Georgia; or the Penthouse Atlantic Hotel and Penthouse Casino planned for Atlantic City, New Jersey? Who desires to inform me about all the magazines: Lords, Leisure, Longevity, Photo World, Forum, Viva, Omni, Variations, and any others? One journal that the Penthouse group published, or maybe co-revealed, was Nuclear, Biological and Chemical Defense and Technology International. In line with Diane Reese’s article, "Penthouse: When Sex Doesn’t Sell," in the January 1987 edition of Folio: The Magazine for Magazine Management, "The managed-circulation publication, the company’s first, is aimed at government and army personnel involved in the planning of defense techniques, each in the United States and abroad. A portion of its content is devoted to scholarly papers. It is the one journal dealing particularly with these three defense applied sciences, according to Guccione. The Penthouse creator didn’t create this one, nevertheless. The idea was brought to him by Evan Koslow, a Ph.D. and protection guide who is the magazine’s associate publisher and govt editor. But Guccione’s settlement to discovered it reveals clearly that Penthouse still goes the place his curiosities lie." I had done WorldCat searches in the past and are available up empty-handed. But I simply tried it once more now and found a couple of library holdings. Publication began sometime in 1986 and the writer is listed as NBC Defense International Ltd of recent York City. Oh how I might love to get the entire run for my collection! Who desires to tell me about Minotaur Press and Odyssey Press? Who desires to inform me about Newsconcorp? Who wants to inform me concerning the proposal for off-shore powerboat racing in the UK? Who needs to tell me about the proposal to re-open Manhattan’s Copacabana Club? Who wants to tell me about the proposed London weekly and in regards to the proposed Bravo? And what ever occurred to PET Penthouse Entertainment Television Network that was scheduled for transmission via SelecTV? (See "Penthouse and SelecTV Team to Launch Adult Pay-See Tier," Daily Variety, Tuesday, 16 November 1982.) You may tell me. I won’t chunk. Click here to achieve me.

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